JOURNAL ARCHIVES

SUMMER 2008

WATERSHED ART

Vertumnus: Portrait of Rudolph II (Giuseppe Arcimboldo)

Nude descending a staircase, No. 2 (Marcel Duchamp)

The kiss (Gustav Klimt)

Luncheon on the grass (Edouard Manet)

Olympia (Edouard Manet)

The scream (Edvard Munch)

Impression, Sunrise (Claude Monet)

The cradle (Berthe Morisot)

The sleeping gypsy (Henri Rousseau)

Carnation Lily, Lily Rose (John Singer Sargeant)

The girl with the peaches: portrait of Vera Mamontova (Valentin Serov)

Sunday afternoon on the island of La Grande Jatte (Georges Seurat)

The Arnolfini Marriage (Jan Van Eyck)

 

SUMMER 2008

SUNDAY AFTERNOON ON THE ISLAND OF LA GRANDE JATTE (GEORGES SEURAT)

Sunday afternoon on the island of La Grande Jatte. Georges Seurat. 1884. Art Institute of Chicago. Sunday is the golden clasp that binds together the volume of the week. Henry Wadsworth Longfellow (1807-82), American poet This painting, two years in its execution, is an example of pointillism. In pointillism, small distinct points of primary color are placed next to each other on the canvas and the mind blends them, creating the impression of secondary and tertiary colors. Designated as one of the most significant paintings of the 19th Century, Sunday Afternoon on the Island of La Grande Jatte altered the course of modern art and marks the beginning of neo-impressionism.